Kutloano Headbush is deeply committed to leveraging her creative endeavors for meaningful social impact. Her advocacy against gender-based violence is prominently showcased in a film she co-produced and starred in alongside Clementine Mosimane. Here, she shares her approach to driving social change through art.

Kutloano’s journey from Johannesburg to Hollywood has been quite remarkable. Weaving in her South African roots into her approach to storytelling and filmmaking, especially regarding themes like social change and inclusivity. She says, “I will always count being raised in South Africa as one of my greatest blessings, enriching my perspectives and providing a unique lens through which to craft stories. Social issues, especially those concerning inclusivity and gender-based violence, have always resonated deeply with me.

Women in Charge, Kotloano Headbush, writer, actor, filmmaker, activism, social change, Lapeng, film, Johannesburg, Hollywood, GBV — Image: Supplied

Expanding on her approach, she enlightens that her aspiration is to use filmmaking and storytelling to inspire positive change in these areas. “Growing up in the Rainbow Nation instilled in me a deep appreciation for diversity in storytelling. Being surrounded by the rich and varying races, cultures, and religions in South Africa, showed me that no matter how different our intersecting identities are, a point of connection can always be found.”

Asserting that despite embracing differences, she also came to understand that diversity alone does not ensure inclusivity. “Even though our differences are embraced, room to accommodate them is not always made. My high school experiences exposed me to diverse and successful individuals with diverse abilities. South Africa’s diversity laid the foundation for my celebration of inclusivity in my art.”

South Africa's struggle with gender-based violence is well-documented, unfortunately for Kotloano, it was a reality she encountered frequently growing up. “I will never forget the day we gathered in front of Sarah Baartman Hall for the memorial of Uyinene Mrwetyana, a 19 year old student who was brutally raped and murdered at the hands of a post office employee in 2019.” Confronted with the reality that our society is not safe anywhere fueled her commitment to advocating for women's rights and combating gender-based violence. “I firmly believe in the transformative power of art to effect positive change, and I have always strived to leverage my craft to contribute to the changes I wish to see in the world.”

Women in Charge, Kotloano Headbush, writer, actor, filmmaker, activism, social change, Lapeng, film, Johannesburg, Hollywood, GBV — Image: Supplied

Glamour: Your film "Lapeng" tackles the sensitive and urgent issue of gender-based violence. What inspired you to create this film, and how do you hope it impacts audiences, particularly survivors of sexual assault?

Kutloano: Lapeng was inspired by the ongoing gender-based violence pandemic in South Africa, particularly the alarming prevalence of intrafamilial sexual assaults that frequently go unreported and evade justice. Many survivors of sexual assault choose not to report their experiences to the authorities for various reasons, including the infamously difficulty in navigating a justice system notorious for its challenges. For instance, a 2011 SAPS report revealed over 77,000 cases of gender-based violence and femicide pending at South African Forensic Sciences Laboratories, illustrating the systemic issues survivors face. In South Africa, survivors often recount experiences of inadequate sensitivity and efficiency in handling their cases, compounding their trauma by feeling unheard and unsupported by those entrusted to provide assistance.

Unfortunately a sexual assault survivor quickly understands the meaning of being a victim when their report of their assault falls on deaf ears.Victims of sexual assault often endure victim-blaming, slut-shaming, and gaslighting, which further dissuades them from speaking out. The challenges faced when seeking justice are multiplied when the perpetrator is a family member. With "Lapeng," my aspiration is to encourage survivors not to lose hope in their pursuit of justice. I aim for the film to foster greater empathy and understanding towards sexual assault victims and cultivate a community more willingness and commitment to support them in their journey towards healing and justice.

Women in Charge, Kotloano Headbush, writer, actor, filmmaker, activism, social change, Lapeng, film, Johannesburg, Hollywood, GBV — Image: Supplied

Glamour: Having been diagnosed with dystonia at a young age, how has this condition shaped your career as a performer and filmmaker? Could you share some challenges you've faced and how you've overcome them in your artistic pursuits?

Kutloano: Being diagnosed at a young age developed a sense of resilience in me that I count as invaluable. Resilience is so important for anyone pursuing a career in the entertainment industry where you are faced with applause one day, and rejection the next. Moreso, being diagnosed at a young age led me to get to know myself really well and helped me embrace all things that make me different. As I started taking my performance career more seriously out of high school, finding unique and creative approaches to performance became a norm for me. In this way, I believe my journey with this condition developed an affinity to unique approaches to performance and performance styles.

In 2018, undergoing Deep Brain Stimulation (DBS) surgery marked a pivotal moment in my life. This procedure alleviated the chronic pain and restored my control over muscle movements, granting me new found freedom in my performances. However, it also starkly revealed the disparities in access and opportunities between when I was visibly disabled and after the surgery. This realization fueled my commitment to advocating for inclusivity within the industry. Achieving success as a performer while I was still greatly affected by dystonia planted an unwavering sense of confidence in me. When I am faced with challenges and setbacks in my work as a performer and filmmaker, I approach them with a perseverance and grit that I accredit to my journey with dystonia.

Glamour: You've been involved in both acting and behind-the-scenes roles such as producing and screenwriting. How do these different perspectives inform each other in your creative process?

Kutloano: One of the most rewarding aspects of filmmaking for me is the collaboration involved. Wearing multiple hats — producing, acting, and writing — has fostered a deep appreciation for my fellow filmmakers and their contributions to each project. Moving between different roles, both in front of and behind the camera, has broadened my perspectives and enhanced my skills as a storyteller.

For instance, my work as an actor has deepened my understanding of character development and its nuances. This wisdom allows me to better realize the complexities of characters on paper as a screenwriter. Dialogue becomes more genuine, and the relationships and actions within the story resonate more profoundly. Conversely, understanding story arcs and character motivations from a screenwriting standpoint informs my choices as an actor, enabling me to embody characters with greater depth.

Glamour: Your academic background includes degrees in Dramatic Arts, Psychology, and Movement. How have these disciplines contributed to your multifaceted approach to storytelling, both on stage and screen?

Kutloano: Studying Dramatic Arts has provided me with a comprehensive understanding of theatrical techniques, acting methods, and the fundamentals of storytelling. It laid the foundation for a career in performance. My background in Psychology has been instrumental in enhancing my understanding of human behavior, motivations, and emotions. It enables me to delve deeper into the psyche of characters, exploring their complexities and internal conflicts with sensitivity and insight.

Women in Charge, Kotloano Headbush, writer, actor, filmmaker, activism, social change, Lapeng, film, Johannesburg, Hollywood, GBV — Image: Supplied

My time studying Movement has honed my ability to use physicality as a powerful tool for storytelling. It has also empowered me to perform in varying forms of movement, for example, physical theatre and performance art like butoh. The disciplines in my academic background form a cohesive framework that informs my multifaceted approach to storytelling. They enable me to craft characters that are not only psychologically nuanced and emotionally resonant but also physically expressive and dynamically staged.

Glamour: In "The Missing Middle," you portrayed the lead character under the direction of Jordan Qin. What drew you to this role, and how did you prepare for such a significant character?

Kutloano: The Missing Middle was written and produced by the talented Phateka Malahleha, a Joburg girl who understands the complexities of living abroad - that is what The Missing Middle is about. More specifically, about the feeling of existing in “the missing middle”, the place where you belong but not quite. Since moving to Los Angeles, when I come back to visit South Africa, I feel like I belong, but not really, everything is the same but different, including my relationships.

When I’m in Los Angeles, I feel like I belong, surrounded by friends who are becoming like family, but also not really, because I am a foreigner surrounded by everyday things and people that feel unfamiliar. The Missing Middle’s ability to express this “grey” feeling of belonging is what drew me to the story. I resonate with the character of Ipeleng, as I’m sure many living abroad would. I used my own life experiences, along with my friends’, to draw on as I prepared for the role of Ipeleng. Considering ad applying

Crafted by the talented Phateka Malahleha, it resonates deeply with me as a portrayal of the complexities of living abroad. It captures the essence of existing in a state of "the missing middle," where one feels a sense of belonging yet also a detachment. This theme profoundly reflects my experiences transitioning between Johannesburg and Los Angeles.

When I return to South Africa, I feel a sense of familiarity tinged with difference, especially in my relationships. Conversely, in Los Angeles, I find comfort among friends who are becoming like family, yet I remain acutely aware of being a foreigner amidst the unfamiliar. The Missing Middle’s ability to express this “grey” feeling of belonging is what drew me to the story. I resonate with the character of Ipeleng, as I’m sure many living abroad would.

Glamour: You've been an advocate for making performing arts more accessible, particularly for differently abled performers. Could you elaborate on your efforts in this area and any progress you've seen or challenges you continue to address?

Kutloano: There have been specific seasons in my career where inclusivity was more in the forefront, particularly as a performer. A significant period in my advocacy was during my collaboration with Kate Jaskolski and Unmute Dance Company.

In my advocacy for inclusivity I’ve always been focused on the practical application of tools that can make the performance industry more accessible now. My first hands on experience with this was working with Kate Jaskolski, an amazing performer, educator and fellow advocate for inclusivity. I had the opportunity to She opened me up to inclusive theatre where I had the opportunity to co-create alongside incredibly talented artists who are mentally disabled. Under Kate’s leadership I learned tools to make the devising process more accessible that I continue to use today.

Additionally, my involvement with Unmute Dance Company in Cape Town allowed me to perform and choreograph alongside individuals with varying abilities and disabilities. There I met Nadine McKenzie, a performer with jaw-dropping talent. My time with Unmute gave me the opportunity to work closely with many people with a shared desire for inclusivity. Having the opportunity to contribute to inclusive bodies of work with Unmute will always be a highlight in my career.

Beyond performance, my advocacy extends into academia. At the University of Witwatersrand, under the guidance of Neka De Costa, I delved into research aimed at enhancing inclusivity in the performing arts. My focus has predominantly been on creating practical solutions for the inclusion of physically disabled individuals in the industry. While my research has yielded some successes, I continue to face challenges due to limited resources dedicated to inclusivity in South African performance contexts. Despite these challenges, my dedication to fostering inclusivity in performing arts remains steadfast. I aim to inspire and contribute to more inclusive practices and research within the field.

Glamour: Transitioning from Johannesburg to Los Angeles must have presented unique challenges and opportunities. How has this move impacted your career trajectory, and what advice would you give to aspiring filmmakers navigating the competitive landscape of Hollywood?

Kutloano: Moving to Hollywood immersed me in the film industry in ways I hadn't experienced before, igniting a newfound inspiration to explore different roles. All of a sudden I found myself inspired to put on different hats, like producer and screenwriter. Diving headfirst into various projects allowed me to expand my artistic skills and pursue broader creative avenues. For aspiring filmmakers navigating Hollywood's competitive landscape, my advice is to embrace your uniqueness wholeheartedly. In a field where everyone strives to stand out, authenticity is your greatest asset. Avoid the trap of comparison and trust in your own voice and choices. Remember, no matter how hard anyone tries, they can never be a better you than you. No one can replicate your perspective or passion, so cultivate that as your strength.

Glamour: Your experience as a professional acrobat and dancer has been integral to your artistic journey. How has your background in physical performance influenced your approach to acting and storytelling?

My dance training instilled a disciplined work ethic within me. It taught me the importance of persistence and dedication, even on days when motivation is lacking. This foundation has been invaluable in my journey as an actor and storyteller, pushing me to continually refine and elevate my craft. Moreover, my background in physical performance has heightened my appreciation for the power of gesture in storytelling.

Movement and body language convey emotions and intentions in ways that words alone cannot. This awareness has enriched the nuance and depth of my performances, allowing me to bring characters to life with authenticity and depth. In essence, my physical performance background has not only shaped my approach to acting but has also deepened my understanding of how to connect with audiences through visceral and expressive storytelling.

Glamour: Lapeng" not only addresses social issues but also showcases your skills as a writer and co-star alongside Clementine Mosimane. Can you take us through the process of developing this project and the collaboration involved?

Kotloano: I started writing "Lapeng" about a year before we began filming. Initially, I never imagined I would be both writing and starring alongside South African legend Clementine Mosimane. Originally, we planned to shoot the film in Los Angeles. However, as we delved deeper into the production process, I realized how important it was to capture the essence of this South African story in its rightful setting.

When Celestine joined the project shortly before shooting began, it became clear that moving production to Johannesburg was the right choice. Working with talented artists like Khule Mayisa, Zimkhitha Mohlabeng, and Paballo Mokwena was an incredible experience, despite encountering a few challenges along the way. Collaborating on "Lapeng" was a dream come true, allowing me to grow alongside such exceptional talent.

Glamour: You've mentioned the importance of family support in your career. How have your loved ones influenced your artistic path, and what lessons have you learned about balancing personal relationships with professional aspirations?

Kutloano: family has been an unwavering source of support throughout my career. We have always been very close, so I was very nervous we would lose touch after I moved to Los Angeles. Thankfully that was far from the case. Our calls and video chats have allowed us to share our ups and downs regardless of the distance.

Navigating the balancing act between personal relationships and professional aspirations has taught me invaluable lessons. One of the most important is that love requires effort, as my dad has always emphasized. Amidst the hustle of life, it can be easy to let weeks pass before stopping to nurture your relationships. However, I've come to realize taking time out to talk to the people who matter most actually fans my flame of perseverance. Remembering to prioritize those who matter most has not only sustained my spirit during challenging times but has also fueled my determination and success in pursuing my goals.

Glamour: Please share your future aspirations in filmmaking and storytelling? Are there particular themes or genres you're eager to explore in your upcoming projects?

Kutloano: I’m excited about the future of my filmmaking and storytelling journey! I hope to contribute meaningfully to the storytelling landscape by pushing creative boundaries and advocating for positive change. Ultimately, I aim to create a body of work that resonates deeply with audiences and fellow creators, leaving a lasting impact. While I have a strong affinity for the drama genre, I am currently immersed in developing a psychological thriller with MODA Productions. This project, alongside several others in the works, represents my enthusiasm for exploring diverse themes and narratives. Stay tuned for more updates on these upcoming projects!